PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: A Snapshot of New Cameras

There are lots of new digital cameras here at PMA this year, although many offer just modest changes from previous models, such as slightly more megapixels or a wider LCD. Here are a few of the more interesting ones I’ve come across since I arrived in Las Vegas yesterday:

The 10-megapixel Panasonic Lumix DMC-FX35 (click on the image at right for a closer look) is a sporty ultracompact that has lots of intelligence—at least according to its specs. It boasts Intelligent Exposure (to determine or adjust for exposure), Intelligent ISO (to adjust ISO depending on whether the camera senses movement), Intelligent Scene Selector (to detect lighting conditions and set the camera to the appropriate scene mode), and face detection. But the smartest thing about this point-and-shoot is that its 4x optical zoom lens has a very wide wide-angle setting: the equivalent of 25mm for a 35mm film camera. The last point-and-shoot that made a big splash with this wide a lens was Kodak's EasyShare V570. List price will be around $350. It will be available in March in silver, black and blue.

GE or General Imaging, a newcomer last year, is back again this year with a compact for under $100. The 7-megapixel GE A735 will have a 3x optical zoom and a 2.5-inch LCD. It will also have smile detection and blink detection features, similar to Sony’s Smile Shutter feature. Not bad for a camera with a list price of $90 to $100.

There's quite a bit happening at the high-end point-and-shoot market too, a part of the market greatly affected by price drops in SLRs. Fujifilm released the FinePix S100FS (click on the image at left for a closer look), an 11-megapixel camera almost as large as an SLR. The reason for its size? It's got a 14.3x optical zoom lens (28-400mm, 35mm film equivalent). It's also got optical image stabilization, which Fujifilm says is a first for them. Other intriguing features include a menu setting (Film Simulation mode, which is where the "FS" comes from) that Fujifilm says will emulate the color of some of the company's great camera films, such as Provia and Velvia. There are many other features as well; Fujifilm says it's after the serious consumer, the "prosumer" in industry lingo, that may a camera that's like an SLR, but with a fixed lens. List price will be around $800 and it will be available in February.

—Terry Sullivan

PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: A Snapshot of New Cameras

There are lots of new digital cameras here at PMA this year, although many offer just modest changes from previous models, such as slightly more megapixels or a wider LCD. Here are a few of the more interesting ones I’ve come across since I arrived in Las Vegas yesterday:

The 10-megapixel Panasonic Lumix DMC-FX35 (click on the image at right for a closer look) is a sporty ultracompact that has lots of intelligence—at least according to its specs. It boasts Intelligent Exposure (to determine or adjust for exposure), Intelligent ISO (to adjust ISO depending on whether the camera senses movement), Intelligent Scene Selector (to detect lighting conditions and set the camera to the appropriate scene mode), and face detection. But the smartest thing about this point-and-shoot is that its 4x optical zoom lens has a very wide wide-angle setting: the equivalent of 25mm for a 35mm film camera. The last point-and-shoot that made a big splash with this wide a lens was Kodak's EasyShare V570. List price will be around $350. It will be available in March in silver, black and blue.

GE or General Imaging, a newcomer last year, is back again this year with a compact for under $100. The 7-megapixel GE A735 will have a 3x optical zoom and a 2.5-inch LCD. It will also have smile detection and blink detection features, similar to Sony’s Smile Shutter feature. Not bad for a camera with a list price of $90 to $100.

There's quite a bit happening at the high-end point-and-shoot market too, a part of the market greatly affected by price drops in SLRs. Fujifilm released the FinePix S100FS (click on the image at left for a closer look), an 11-megapixel camera almost as large as an SLR. The reason for its size? It's got a 14.3x optical zoom lens (28-400mm, 35mm film equivalent). It's also got optical image stabilization, which Fujifilm says is a first for them. Other intriguing features include a menu setting (Film Simulation mode, which is where the "FS" comes from) that Fujifilm says will emulate the color of some of the company's great camera films, such as Provia and Velvia. There are many other features as well; Fujifilm says it's after the serious consumer, the "prosumer" in industry lingo, that may a camera that's like an SLR, but with a fixed lens. List price will be around $800 and it will be available in February.

—Terry Sullivan

Rear-Projection HDTVs: More innovation, fewer choices?

There's a deepening paradox about rear-projection TVs (RPTVs), those video giants with screens that run upwards of 70 inches in size. On the one hand, based on our Ratings of RPTVs (available to ConsumerReports.org subscribers), sets have continued to get better. And as we learned at the Consumer Electronics Show this month, there's still quite a bit of innovation in the category. Mitsubishi and Samsung have been experimenting with alternative backlighting sources for these sets—Samsung already with a growing number of LED-based sets (such as the HL-T6187S rear-projection TV set seen at right), and Mitsubishi poised to launch the first laser-lit rear-projection sets later this year. In addition, both companies have been offering fairly impressive 3D demos when their sets are used with optional 3D glasses and stereoscopic content.

But those pluses aren't enough for most consumers, who can now get a thinner plasma or LCD set of comparable size to an RPTV set at a comparable price. As a result, RPTV sales continue to dwindle; Toshiba, for one, now estimates the total rear-projection market at a paltry 650,000 units, out of an overall digital TV market of more than 23 million sets.

Little wonder, then, that the number of manufacturers making rear-projection sets continues to decline. Sony and Toshiba recently defected from the rear-projection TV market, and, based on what we saw at CES this month, there's a strong likelihood that by this summer, there will only be two major rear-projection players left: Samsung and Mitsubishi. Neither JVC nor Panasonic, traditionally strong RPTV players, showed new rear-projection models at the show and a JVC executive this week confirmed that no new sets are on the horizon this year. That leads us to believe these companies will announce their exits from the RPTV market sometime in the coming months.

The slimming of the market means that both LCoS (the technology used by JVC, which markets it as D-ILA) and rear-projection LCD (the format used by Panasonic) would essentially disappear from the market. That would leave DLP as the only remaining rear-projection technology. (LCD and LCoS continue to remain important technologies in the front-projector TV market, however.)

For consumers, the decline of RPTV will mean fewer model to choose from if a projection set does make sense for your needs. (See our buying advice on rear-projection TVs to determine if an RTPV is right for you.) It might also provide good deals on really big sets, as Samsung and Mitsubishi duke it out for the remaining RPTV buyers. We'll continue to monitor the rear-projection business, including testing the likes of those laser-lit Mitsubishis later in the year. But it appears that the handwriting is already on the wall: it's only a matter of time before RPTVs follow in the path of CRT sets and become a historical footnote in the evolution of TV displays.

—James K. Willcox

PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: A Snapshot of New Cameras

There are lots of new digital cameras here at PMA this year, although many offer just modest changes from previous models, such as slightly more megapixels or a wider LCD. Here are a few of the more interesting ones I’ve come across since I arrived in Las Vegas yesterday:

The 10-megapixel Panasonic Lumix DMC-FX35 (click on the image at right for a closer look) is a sporty ultracompact that has lots of intelligence—at least according to its specs. It boasts Intelligent Exposure (to determine or adjust for exposure), Intelligent ISO (to adjust ISO depending on whether the camera senses movement), Intelligent Scene Selector (to detect lighting conditions and set the camera to the appropriate scene mode), and face detection. But the smartest thing about this point-and-shoot is that its 4x optical zoom lens has a very wide wide-angle setting: the equivalent of 25mm for a 35mm film camera. The last point-and-shoot that made a big splash with this wide a lens was Kodak's EasyShare V570. List price will be around $350. It will be available in March in silver, black and blue.

GE or General Imaging, a newcomer last year, is back again this year with a compact for under $100. The 7-megapixel GE A735 will have a 3x optical zoom and a 2.5-inch LCD. It will also have smile detection and blink detection features, similar to Sony’s Smile Shutter feature. Not bad for a camera with a list price of $90 to $100.

There's quite a bit happening at the high-end point-and-shoot market too, a part of the market greatly affected by price drops in SLRs. Fujifilm released the FinePix S100FS (click on the image at left for a closer look), an 11-megapixel camera almost as large as an SLR. The reason for its size? It's got a 14.3x optical zoom lens (28-400mm, 35mm film equivalent). It's also got optical image stabilization, which Fujifilm says is a first for them. Other intriguing features include a menu setting (Film Simulation mode, which is where the "FS" comes from) that Fujifilm says will emulate the color of some of the company's great camera films, such as Provia and Velvia. There are many other features as well; Fujifilm says it's after the serious consumer, the "prosumer" in industry lingo, that may a camera that's like an SLR, but with a fixed lens. List price will be around $800 and it will be available in February.

—Terry Sullivan

Rear-Projection HDTVs: More innovation, fewer choices?

There's a deepening paradox about rear-projection TVs (RPTVs), those video giants with screens that run upwards of 70 inches in size. On the one hand, based on our Ratings of RPTVs (available to ConsumerReports.org subscribers), sets have continued to get better. And as we learned at the Consumer Electronics Show this month, there's still quite a bit of innovation in the category. Mitsubishi and Samsung have been experimenting with alternative backlighting sources for these sets—Samsung already with a growing number of LED-based sets (such as the HL-T6187S rear-projection TV set seen at right), and Mitsubishi poised to launch the first laser-lit rear-projection sets later this year. In addition, both companies have been offering fairly impressive 3D demos when their sets are used with optional 3D glasses and stereoscopic content.

But those pluses aren't enough for most consumers, who can now get a thinner plasma or LCD set of comparable size to an RPTV set at a comparable price. As a result, RPTV sales continue to dwindle; Toshiba, for one, now estimates the total rear-projection market at a paltry 650,000 units, out of an overall digital TV market of more than 23 million sets.

Little wonder, then, that the number of manufacturers making rear-projection sets continues to decline. Sony and Toshiba recently defected from the rear-projection TV market, and, based on what we saw at CES this month, there's a strong likelihood that by this summer, there will only be two major rear-projection players left: Samsung and Mitsubishi. Neither JVC nor Panasonic, traditionally strong RPTV players, showed new rear-projection models at the show and a JVC executive this week confirmed that no new sets are on the horizon this year. That leads us to believe these companies will announce their exits from the RPTV market sometime in the coming months.

The slimming of the market means that both LCoS (the technology used by JVC, which markets it as D-ILA) and rear-projection LCD (the format used by Panasonic) would essentially disappear from the market. That would leave DLP as the only remaining rear-projection technology. (LCD and LCoS continue to remain important technologies in the front-projector TV market, however.)

For consumers, the decline of RPTV will mean fewer model to choose from if a projection set does make sense for your needs. (See our buying advice on rear-projection TVs to determine if an RTPV is right for you.) It might also provide good deals on really big sets, as Samsung and Mitsubishi duke it out for the remaining RPTV buyers. We'll continue to monitor the rear-projection business, including testing the likes of those laser-lit Mitsubishis later in the year. But it appears that the handwriting is already on the wall: it's only a matter of time before RPTVs follow in the path of CRT sets and become a historical footnote in the evolution of TV displays.

—James K. Willcox

PMA 2008 Preview: What's incoming in cameras and more

Each year, camera enthusiasts and pros wait to see what the major camera manufacturers will introduce at the annual Photo Marketing Association trade show (PMA), which will take place this year in Las Vegas from Jan. 31 through Feb. 2. And while some companies opted to unveil some products at CES, just three weeks ago, most have chosen to stick with PMA08 to introduce not only cameras, but also lenses, printers, software, and photo accessories.

Starting Wednesday, I'll be at the show, posting the latest news about cameras and related products and services to this blog.

Although I expect a few surprises at the show, some developments and trends are already evident. Here's what I expect to see, by camera type or technology:

PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: A Snapshot of New Cameras

There are lots of new digital cameras here at PMA this year, although many offer just modest changes from previous models, such as slightly more megapixels or a wider LCD. Here are a few of the more interesting ones I’ve come across since I arrived in Las Vegas yesterday:

The 10-megapixel Panasonic Lumix DMC-FX35 (click on the image at right for a closer look) is a sporty ultracompact that has lots of intelligence—at least according to its specs. It boasts Intelligent Exposure (to determine or adjust for exposure), Intelligent ISO (to adjust ISO depending on whether the camera senses movement), Intelligent Scene Selector (to detect lighting conditions and set the camera to the appropriate scene mode), and face detection. But the smartest thing about this point-and-shoot is that its 4x optical zoom lens has a very wide wide-angle setting: the equivalent of 25mm for a 35mm film camera. The last point-and-shoot that made a big splash with this wide a lens was Kodak's EasyShare V570. List price will be around $350. It will be available in March in silver, black and blue.

GE or General Imaging, a newcomer last year, is back again this year with a compact for under $100. The 7-megapixel GE A735 will have a 3x optical zoom and a 2.5-inch LCD. It will also have smile detection and blink detection features, similar to Sony’s Smile Shutter feature. Not bad for a camera with a list price of $90 to $100.

There's quite a bit happening at the high-end point-and-shoot market too, a part of the market greatly affected by price drops in SLRs. Fujifilm released the FinePix S100FS (click on the image at left for a closer look), an 11-megapixel camera almost as large as an SLR. The reason for its size? It's got a 14.3x optical zoom lens (28-400mm, 35mm film equivalent). It's also got optical image stabilization, which Fujifilm says is a first for them. Other intriguing features include a menu setting (Film Simulation mode, which is where the "FS" comes from) that Fujifilm says will emulate the color of some of the company's great camera films, such as Provia and Velvia. There are many other features as well; Fujifilm says it's after the serious consumer, the "prosumer" in industry lingo, that may a camera that's like an SLR, but with a fixed lens. List price will be around $800 and it will be available in February.

—Terry Sullivan

Rear-Projection HDTVs: More innovation, fewer choices?

There's a deepening paradox about rear-projection TVs (RPTVs), those video giants with screens that run upwards of 70 inches in size. On the one hand, based on our Ratings of RPTVs (available to ConsumerReports.org subscribers), sets have continued to get better. And as we learned at the Consumer Electronics Show this month, there's still quite a bit of innovation in the category. Mitsubishi and Samsung have been experimenting with alternative backlighting sources for these sets—Samsung already with a growing number of LED-based sets (such as the HL-T6187S rear-projection TV set seen at right), and Mitsubishi poised to launch the first laser-lit rear-projection sets later this year. In addition, both companies have been offering fairly impressive 3D demos when their sets are used with optional 3D glasses and stereoscopic content.

But those pluses aren't enough for most consumers, who can now get a thinner plasma or LCD set of comparable size to an RPTV set at a comparable price. As a result, RPTV sales continue to dwindle; Toshiba, for one, now estimates the total rear-projection market at a paltry 650,000 units, out of an overall digital TV market of more than 23 million sets.

Little wonder, then, that the number of manufacturers making rear-projection sets continues to decline. Sony and Toshiba recently defected from the rear-projection TV market, and, based on what we saw at CES this month, there's a strong likelihood that by this summer, there will only be two major rear-projection players left: Samsung and Mitsubishi. Neither JVC nor Panasonic, traditionally strong RPTV players, showed new rear-projection models at the show and a JVC executive this week confirmed that no new sets are on the horizon this year. That leads us to believe these companies will announce their exits from the RPTV market sometime in the coming months.

The slimming of the market means that both LCoS (the technology used by JVC, which markets it as D-ILA) and rear-projection LCD (the format used by Panasonic) would essentially disappear from the market. That would leave DLP as the only remaining rear-projection technology. (LCD and LCoS continue to remain important technologies in the front-projector TV market, however.)

For consumers, the decline of RPTV will mean fewer model to choose from if a projection set does make sense for your needs. (See our buying advice on rear-projection TVs to determine if an RTPV is right for you.) It might also provide good deals on really big sets, as Samsung and Mitsubishi duke it out for the remaining RPTV buyers. We'll continue to monitor the rear-projection business, including testing the likes of those laser-lit Mitsubishis later in the year. But it appears that the handwriting is already on the wall: it's only a matter of time before RPTVs follow in the path of CRT sets and become a historical footnote in the evolution of TV displays.

—James K. Willcox

PMA 2008 Preview: What's incoming in cameras and more

Each year, camera enthusiasts and pros wait to see what the major camera manufacturers will introduce at the annual Photo Marketing Association trade show (PMA), which will take place this year in Las Vegas from Jan. 31 through Feb. 2. And while some companies opted to unveil some products at CES, just three weeks ago, most have chosen to stick with PMA08 to introduce not only cameras, but also lenses, printers, software, and photo accessories.

Starting Wednesday, I'll be at the show, posting the latest news about cameras and related products and services to this blog.

Although I expect a few surprises at the show, some developments and trends are already evident. Here's what I expect to see, by camera type or technology:

Super Bowl: Getting a big screen for the big game

There's still time to get a new high-definition TV delivered and set up before Super Bowl Sunday, but the countdown clock is ticking.

Best Buy and Circuit City, two of the biggest players in the TV business, promise they'll have your new set up and running by kickoff as long as you seal the deal by Jan. 26 or Jan. 30, respectively. Online giant Amazon.com has a cut-off date of Jan. 26. P.C. Richard & Sons, a regional chain in the Northeast, takes the prize for last-minute specials, giving procrastinators up to noon on game day to buy a set in a New York or New Jersey store. That's the big picture—with all these deals, there are restrictions and caveats, as spelled out below.

Sears doesn't specifically guarantee delivery by Feb. 3, but a random check of various models on the company's web site showed that we could have some TVs delivered before game day, depending on zip code. That doesn't include setup; you'd have to call Sears to see when you could get an appointment in your area.

Of course, if you're willing and able to haul your big-screen set home from the store and set it up yourself, you have more time and more options. You can order a set online and pick it up at a local store with Best Buy, Circuit City, Sears, and Wal-mart, or you can head over to a nearby Target or a Costco warehouse for a cash-and-carry transaction.

Don't forget that you'll need high-def TV service in place to enjoy the game in all its big-screen splendor. For cable, satellite, or phone-company fiber-optic service, that means a high-def receiver and service package. If you don't already have such a setup, call your provider ASAP to get the ball rolling. Depending on the company, you can pick up the equipment at a local outlet or have it shipped or delivered. For free off-air broadcasts, all you need is a UHF/VHF antenna hooked up to your new TV (all new sets have the required digital tuner). That's assuming you're in a location where you can pull in signals, without tall buildings, trees, or mountains obstructing transmission.

Then there's the actual setup—putting all the plugs in all the right places. If you've paid for installation, which might run you $100 to $150 for a basic setup, the retailer's crew will hook everything up and make sure you have a high-def picture coming in. Doing it yourself isn't that hard, though. You plug the incoming cable into the HD receiver, then use an HDMI cable, or component-video and audio cables, to connect the receiver to the TV. Tune in an HD channel, and you should be good to go. You should also check the TV's settings to make sure you're getting a full-screen picture with optimal image quality.

One final tip: Hang onto your receipts and check prices for a month or two after your purchase. Many retailers offer a 30-day or 60-day price guarantee, and you can collect the difference if your set is sold at a lower price either at the store itself or at a competitor during that period.

Check out Consumer Reports' Guide to Super Bowl Sunday for more HDTV shopping advice, including access to our Ratings of HDTVs and for tips on throwing a great Super Bowl party.

Now, it's on to the players.

PMA2008: Sony Deepens its SLR line

This morning, Sony held a press conference at which they unveiled a new high-end SLR, which will be launched by the end of 2008. The SLR, which they're referring to at the moment only as "The Flagship," will include a 24-megapixel "Exmor" CMOS image sensor. (Click on the image at right for a closer look.)

The sensor will also be a full-frame sensor. (My previous post about the Canon EOS 40D digitial SLR has more details regarding full-frame sensors in the "Sensor Size and Lens Magnification Factor" section.)

In addition, this sensor will be image stabilized using Sony's Super SteadyShot system, which resides inside the camera body itself and so should work with any lens. (Canon and Nikon incorporate image stabilization into their SLR lenses.) Additional specs and features are sketchy on this camera for the moment, but it appears that Sony's commitment to SLRs is deepening.

The company also recapped many of their new product announcements from recent months, including two new consumer-targeted SLRs, both with live-view capabilities and articulating, swiveling LCDs. The two new SLRs are the 10-megapixel alpha DSLR-A300 ($800 with kit lens) and the 14-megapixel alpha DSLR-A350 ($900 with kit lens). (Click on the images for closer looks at the A350, on the left, and at the back of the A300, lower right.)

In addition, Sony revealed that they'll be entering the digital picture frame market by announcing three new S-series photo frames: DPF-V900 ($250), DPF-V700 ($190) and DPF-D70 ($140) digital photo frame models.

—Terry Sullivan

PMA2008: A Snapshot of New Cameras

There are lots of new digital cameras here at PMA this year, although many offer just modest changes from previous models, such as slightly more megapixels or a wider LCD. Here are a few of the more interesting ones I’ve come across since I arrived in Las Vegas yesterday:

The 10-megapixel Panasonic Lumix DMC-FX35 (click on the image at right for a closer look) is a sporty ultracompact that has lots of intelligence—at least according to its specs. It boasts Intelligent Exposure (to determine or adjust for exposure), Intelligent ISO (to adjust ISO depending on whether the camera senses movement), Intelligent Scene Selector (to detect lighting conditions and set the camera to the appropriate scene mode), and face detection. But the smartest thing about this point-and-shoot is that its 4x optical zoom lens has a very wide wide-angle setting: the equivalent of 25mm for a 35mm film camera. The last point-and-shoot that made a big splash with this wide a lens was Kodak's EasyShare V570. List price will be around $350. It will be available in March in silver, black and blue.

GE or General Imaging, a newcomer last year, is back again this year with a compact for under $100. The 7-megapixel GE A735 will have a 3x optical zoom and a 2.5-inch LCD. It will also have smile detection and blink detection features, similar to Sony’s Smile Shutter feature. Not bad for a camera with a list price of $90 to $100.

There's quite a bit happening at the high-end point-and-shoot market too, a part of the market greatly affected by price drops in SLRs. Fujifilm released the FinePix S100FS (click on the image at left for a closer look), an 11-megapixel camera almost as large as an SLR. The reason for its size? It's got a 14.3x optical zoom lens (28-400mm, 35mm film equivalent). It's also got optical image stabilization, which Fujifilm says is a first for them. Other intriguing features include a menu setting (Film Simulation mode, which is where the "FS" comes from) that Fujifilm says will emulate the color of some of the company's great camera films, such as Provia and Velvia. There are many other features as well; Fujifilm says it's after the serious consumer, the "prosumer" in industry lingo, that may a camera that's like an SLR, but with a fixed lens. List price will be around $800 and it will be available in February.

—Terry Sullivan

Rear-Projection HDTVs: More innovation, fewer choices?

There's a deepening paradox about rear-projection TVs (RPTVs), those video giants with screens that run upwards of 70 inches in size. On the one hand, based on our Ratings of RPTVs (available to ConsumerReports.org subscribers), sets have continued to get better. And as we learned at the Consumer Electronics Show this month, there's still quite a bit of innovation in the category. Mitsubishi and Samsung have been experimenting with alternative backlighting sources for these sets—Samsung already with a growing number of LED-based sets (such as the HL-T6187S rear-projection TV set seen at right), and Mitsubishi poised to launch the first laser-lit rear-projection sets later this year. In addition, both companies have been offering fairly impressive 3D demos when their sets are used with optional 3D glasses and stereoscopic content.

But those pluses aren't enough for most consumers, who can now get a thinner plasma or LCD set of comparable size to an RPTV set at a comparable price. As a result, RPTV sales continue to dwindle; Toshiba, for one, now estimates the total rear-projection market at a paltry 650,000 units, out of an overall digital TV market of more than 23 million sets.

Little wonder, then, that the number of manufacturers making rear-projection sets continues to decline. Sony and Toshiba recently defected from the rear-projection TV market, and, based on what we saw at CES this month, there's a strong likelihood that by this summer, there will only be two major rear-projection players left: Samsung and Mitsubishi. Neither JVC nor Panasonic, traditionally strong RPTV players, showed new rear-projection models at the show and a JVC executive this week confirmed that no new sets are on the horizon this year. That leads us to believe these companies will announce their exits from the RPTV market sometime in the coming months.

The slimming of the market means that both LCoS (the technology used by JVC, which markets it as D-ILA) and rear-projection LCD (the format used by Panasonic) would essentially disappear from the market. That would leave DLP as the only remaining rear-projection technology. (LCD and LCoS continue to remain important technologies in the front-projector TV market, however.)

For consumers, the decline of RPTV will mean fewer model to choose from if a projection set does make sense for your needs. (See our buying advice on rear-projection TVs to determine if an RTPV is right for you.) It might also provide good deals on really big sets, as Samsung and Mitsubishi duke it out for the remaining RPTV buyers. We'll continue to monitor the rear-projection business, including testing the likes of those laser-lit Mitsubishis later in the year. But it appears that the handwriting is already on the wall: it's only a matter of time before RPTVs follow in the path of CRT sets and become a historical footnote in the evolution of TV displays.

—James K. Willcox

PMA 2008 Preview: What's incoming in cameras and more

Each year, camera enthusiasts and pros wait to see what the major camera manufacturers will introduce at the annual Photo Marketing Association trade show (PMA), which will take place this year in Las Vegas from Jan. 31 through Feb. 2. And while some companies opted to unveil some products at CES, just three weeks ago, most have chosen to stick with PMA08 to introduce not only cameras, but also lenses, printers, software, and photo accessories.

Starting Wednesday, I'll be at the show, posting the latest news about cameras and related products and services to this blog.

Although I expect a few surprises at the show, some developments and trends are already evident. Here's what I expect to see, by camera type or technology:

Super Bowl: Getting a big screen for the big game

There's still time to get a new high-definition TV delivered and set up before Super Bowl Sunday, but the countdown clock is ticking.

Best Buy and Circuit City, two of the biggest players in the TV business, promise they'll have your new set up and running by kickoff as long as you seal the deal by Jan. 26 or Jan. 30, respectively. Online giant Amazon.com has a cut-off date of Jan. 26. P.C. Richard & Sons, a regional chain in the Northeast, takes the prize for last-minute specials, giving procrastinators up to noon on game day to buy a set in a New York or New Jersey store. That's the big picture—with all these deals, there are restrictions and caveats, as spelled out below.

Sears doesn't specifically guarantee delivery by Feb. 3, but a random check of various models on the company's web site showed that we could have some TVs delivered before game day, depending on zip code. That doesn't include setup; you'd have to call Sears to see when you could get an appointment in your area.

Of course, if you're willing and able to haul your big-screen set home from the store and set it up yourself, you have more time and more options. You can order a set online and pick it up at a local store with Best Buy, Circuit City, Sears, and Wal-mart, or you can head over to a nearby Target or a Costco warehouse for a cash-and-carry transaction.

Don't forget that you'll need high-def TV service in place to enjoy the game in all its big-screen splendor. For cable, satellite, or phone-company fiber-optic service, that means a high-def receiver and service package. If you don't already have such a setup, call your provider ASAP to get the ball rolling. Depending on the company, you can pick up the equipment at a local outlet or have it shipped or delivered. For free off-air broadcasts, all you need is a UHF/VHF antenna hooked up to your new TV (all new sets have the required digital tuner). That's assuming you're in a location where you can pull in signals, without tall buildings, trees, or mountains obstructing transmission.

Then there's the actual setup—putting all the plugs in all the right places. If you've paid for installation, which might run you $100 to $150 for a basic setup, the retailer's crew will hook everything up and make sure you have a high-def picture coming in. Doing it yourself isn't that hard, though. You plug the incoming cable into the HD receiver, then use an HDMI cable, or component-video and audio cables, to connect the receiver to the TV. Tune in an HD channel, and you should be good to go. You should also check the TV's settings to make sure you're getting a full-screen picture with optimal image quality.

One final tip: Hang onto your receipts and check prices for a month or two after your purchase. Many retailers offer a 30-day or 60-day price guarantee, and you can collect the difference if your set is sold at a lower price either at the store itself or at a competitor during that period.

Check out Consumer Reports' Guide to Super Bowl Sunday for more HDTV shopping advice, including access to our Ratings of HDTVs and for tips on throwing a great Super Bowl party.

Now, it's on to the players.

Digital picture frames infected with computer virus

Best Buy tells us that one of its Insignia brand digital picture frames has been contaminated by a virus. The only model involved is a 10.4-inch frame bearing the number NS-DPF10A. If you're downloading photos by connecting this frame directly to your computer, you may be putting your system at risk. Owners should contact the company by calling 877-467-4289. Best Buy will help you determine whether your frame is affected and will let you know how to proceed if it is. The model, which was sold over the holiday season, has been discontinued and is no longer available for purchase from Best Buy.

The virus is not a new strain, so if your system is protected by antivirus software, it should catch and isolate the infection. In addition, if you're loading photos using a memory card, the virus can't be passed along that way, according to a Best Buy spokesperson.

So far, the company has received about two dozen calls concerning this issue. Best Buy is still investigating the cause of the infection. If you have another model of Insignia frame, and notice that your antivirus software is picking up viruses when you connect the frame to your computer, call Best Buy and let them know. Continue checking the Insignia home page at http://www.insignia-products.com/default.aspx for further developments.

And for additional computer safety tips, including Consumer Reports' Ratings of the best computer security software and online protection tools, check out our online cyber-security center.

—Donna Tapellini